We Dare Not Move the Question of Our Place, Or Know Not What We Are.

This is what you've been looking for, but you don't believe it. Just life, as it is, whether it is judged or not. However, judgment may appear to disperse if seeking appears to drop away. This life, this being, just now, is what is sought, for it is always now; whether focused on internal matters (or appearing to do so) or immediately aware of what the senses seem to display. Lost in thought, trapped in projection, subject to a miasma of a thousand conditioned responses is what is, or what seems to be, "sometimes". This, as well, can be unjudged, by no one, by what it is - itself. Great effort may be expended to strip away the conditioning. This, too, is what is. Help may be sought from many sources; wisdom (a judgment) learned, great and worthy (more judgment) disciplines perfected; this, too, is what is. Overwhelming disaffection may arise; violent responses may appear to be what happens; dismay, discomfort, disease; fear. This is what is, no matter how anathema to sweet (another judgment) and all-embracing love; for sweet and all-embracing love embraces all. Great change may seem to ensue; this is what is. A stillness, a calmness, peace may be the goal, or the destination reached; this is what is. All is what is, no matter its apparent form or quality. If it is, it is. And all that seems to be, to feel, to see, to hear, to think, to suffer, to love is what is: here, now, just as it is. It is that simple. It is simpler than that. There is nothing to be done except what is done, whatever that seems to be. It can be relished; although appreciation is yet another judgment, and by far the "easier" way.

This clip is self-indulgent (another mass of judgment in the term "self-indulgent"). I am a sucker for good steadicam work - and this is one of the best examples. Steadicam removes the last barrier between the viewer and the picture and seems to put you right there in the action - a good analogy for seeking vs. being. (And I love how James Cameron used steadicam harnesses and rigs for the big guns in Aliens that Vasquez and Drake carried, implying they were too heavy and unwieldy without such support - more movie magic.) There are fascinating production stories behind this scene along the lines of tight schedules and incredible organisational difficulties - and just think of the pressure on each and every major player and extra to be in exactly the right place at the right time! Kudos to the director, Joe Wright. The film is Atonement. The scene is the evacuation of Dunkirk in WWII. Please relish.