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The less you absolutely know what to do, the more potential fills that vacuum. Perhaps "what to do next" can become less some vexing mystery, and more some awe-inspiring discovery; if, indeed, "what to do next" is even noted, or pondered upon. The ego relieved of the burden of its own apparent journey is an ego freed to take the best possible journey, and that journey is no longer judged by a set of narrow rules and beliefs. In fact, the journey in time seems less a story with a beginning, a middle and and end; the journey is, in fact, just a timeless constant rearrangement of reality, there for the amusement (or bemusement) and edification of the parcel of awareness that we seem to be. It is frightening to let go. It is fearful to die, as a small person named Jim or Angela or Hassim or Nanako, and become an apparent slice of everything. However, paradoxically, that is already the case, no matter how stifled the journey seems to be, or how limited the character that takes it. Your confining persona could "die" at any "time", and if it doesn't, that is what is meant to be, and the boxed-in journey is not wrong, but exactly what is needed. If the mind is open, and the road is wide, there is no need for despair, except where despair can play its own hard role.
The Straight Story is a classic journey, taken by a stubborn old man named Alvin, who knows he has to travel to his estranged and very ill brother entirely on his own steam for the journey to mean as much as it does to him to his brother. Limited by lameness and blindness and having no drivers license, he decides to travel 240 miles from Laurens, Iowa to Mount Zion, Wisconsin on a lawn mower. It really happened, and was made into a film by David Lynch. Alvin just wants to be with his brother and look up at the stars with him again, like they did when they were kids. This is the end of the film. Simply sitting on a porch is wholeness, completeness, and perfection.